I had a new Diorama exhibiting in The Marrickville Contemporary Art Prize, At the Vanishing Point Gallery in Newtown, Sept 11-27th 2009.
Wednesday, September 30, 2009
Bats on a wire #6
Thursday, September 18, 2008
MARS: The Happiest Planet
Saturday, August 16, 2008
Thursday, April 24, 2008
Bats on a wire #5
Thursday, April 10, 2008
Caught in the act.
Friday, January 11, 2008
Hover Bike ?
Body Parts for sale on EBAY
Monday, December 17, 2007
Bats on a wire #3
Friday, December 14, 2007
Bats on a wire #2

This bat was near my house in Stanmore, Sydney.
When i was photographing it,
i saw a woman looking at it with her binoculars.
She was from an animal rescue group
(ironically called w.i.r.e.s)
and she told me that sometimes they find 

a baby bat still alive and clinging to the dead mother bat.
On this occasion, there was no baby bat.
Sunday, September 02, 2007
Life on Mars
Well i'm slowly continuing with my boxed dioramas. I've just finished this one called" Life on Mars".
It's on show in a group exhibition as part of the
'Marrickville Contemporary Art Prize
'from 6-23rd September 2007.
(the opening is on the 13th)
here's the gallery link;
I'll be making another 10 or 12 dioramas
over the summer with the aim of having
a solo exhibition in 2008.
Saturday, January 06, 2007
Rise of the Little People
I saw this great link about a guy in London
making 'street art' with little toy figurines,
similar to the ones i've been using in my dioramas....
here's the link....
http://little-people.blogspot.com/
Lovely idea and some great photos.....
(i wish i had thought of doing this)....
enjoy !
making 'street art' with little toy figurines,
similar to the ones i've been using in my dioramas....
here's the link....
http://little-people.blogspot.com/
Lovely idea and some great photos.....
(i wish i had thought of doing this)....
enjoy !
Thursday, December 14, 2006
Xbox for Xmas
Monday, December 11, 2006
Bats on a wire #1
Summer in Sydney is usually accompanied by the appearance of electrocuted bats dangling from the overhead power lines that litter our streets.
The bats look like insects trapped in high tech spider webs.
Suspended in grusome, twisted poses,
a transient monument to their last few seconds of life.

Was it a quick death ?...probably
....a painless death ?...i hope so...
but their curled up toes may indicate otherwise.
This summer i plan to photograph and document these poor unfortunate bats.
This Bat was in Newtown, Sydney.
Thursday, November 23, 2006
Residue
Arriving home this afternoon, I noticed this dead piece of chewed up apple on the concrete in the front yard.The sun was at just the right angle to reveal/expose a multitude of snail and slug trails to and from the apple.
It looked so wonderful, i just had to photograph it. I like to think that there was this frenzied feast taking part during the night and that the snail and slug trails are the only evidence of that event.
Like blood splatters left at a murder scene, the trails hint at the brutality of the attack on that poor defenceless piece of apple. Poor little apple.
Wednesday, November 15, 2006
'Liquidambar' ... a Homage to Stan Brakhage
In 2003 after hearing the news that the godfather of experimental cinema, Stan Brakhage had died, i was inspired to pay homage in film form and thus made a short film called 'Liquidambar'.
In many ways it is my companion piece to Stan's film 'Mothlight' and was made using similar production methods of sicking pieces of leaves, petals, dead insects, etc directly onto strips of clear 16mm film and then optically reprinting them.
The end result when viewed is fleeting 'impressions' that bombard the eyes, leaving a slight buildup of afterimages on the retina, creating a montage effect.
I also liked the idea of long dead insects being preserved in ambar for thousands, if not millions of years in the solidified sap of ancient trees.
My film title of 'Liquidambar'...makes reference to this preservation but the remnants of the dead being preserved as images within the 16mm film emulsion instead.



The top image shows some of the original clear 16mm film srips with all the bits and pieces i stuck on them. The other two images are close ups of the 16mm film frames.
In many ways it is my companion piece to Stan's film 'Mothlight' and was made using similar production methods of sicking pieces of leaves, petals, dead insects, etc directly onto strips of clear 16mm film and then optically reprinting them.
The end result when viewed is fleeting 'impressions' that bombard the eyes, leaving a slight buildup of afterimages on the retina, creating a montage effect.
I also liked the idea of long dead insects being preserved in ambar for thousands, if not millions of years in the solidified sap of ancient trees.
My film title of 'Liquidambar'...makes reference to this preservation but the remnants of the dead being preserved as images within the 16mm film emulsion instead.



The top image shows some of the original clear 16mm film srips with all the bits and pieces i stuck on them. The other two images are close ups of the 16mm film frames.
Holy Crap




There is a whole other world of religious memorabilia surrounding Holy cards. Apparently, some people collect them in a similar way that kids would collect footy cards etc.
There are literally thousands of different Holy cards and the variety seems endless.
Some cards have amazingly beautiful artwork and others seem totally kitsch.
So, (inspired by a friends lovely and poignant Holy card re-workings) i bought some old cards on ebay and added my own rather silly touches.
And since i don't have Photshop, i had to resort to good old fashioned glue and scissors.... But I kinda like the comic book aesthetic it adds to the images.
(Click on the cards for a bigger image)....
There are literally thousands of different Holy cards and the variety seems endless.
Some cards have amazingly beautiful artwork and others seem totally kitsch.
So, (inspired by a friends lovely and poignant Holy card re-workings) i bought some old cards on ebay and added my own rather silly touches.
And since i don't have Photshop, i had to resort to good old fashioned glue and scissors.... But I kinda like the comic book aesthetic it adds to the images.
(Click on the cards for a bigger image)....
Jesus toast
Tuesday, November 07, 2006
Little worlds in a box

As a child i use to love making stuff.
My dad was an architect and he would sometimes have to make scale models of the buildings he designed.
I would also make models of buildings but i was never
really allowed to use his expensive and professional 'architect model materials' and thus my models were made out ofcardboard and looked quite crappy......anyway....
about 7 years ago i rediscovered my desire to make 'stuff' and embarked on a series of miniature dioramas.

I used scale model figures that are usually confined to model railway sets and i built and boxed my own little worlds.

I liked that i could rearranged and re-contextualise the figures and make them 'behave' in ways that they wouldn't normally be allowed to do if they were stuck on a typical model railway setting...... See photos......especially the close up stuff...

Some of the dioramas are like a 'snap-shot' of action...a frozen moment...before an accident unfolds.

There is often an element of voyeurism and exhibitionism to the
narratives within the dioramas

I have a few more dioramas planned and hope to have exhibition somewhere, sometime in 2007.
Sunday, November 05, 2006
'A room with askew'
'A room with askew' was my 10th film, but only my second effort at stop-motion animation.I knew i wanted to explore something quite dark, surreal and visceral....In constucting the set and main figures i used a variety of organic 'body parts', eg animal skulls, sharks teeth, bones, shells, feathers etc. I also wanted to animate (or rather re-animate, like Dr. Frankenstein did) dead flesh, hence the use of
whole fish and chunks of raw disembodied meat/flesh.

In many ways animation is all about breathing life/spirit into the lifeless...a kind of transitory death defying process...but ultimately and forever an illusion.
I was also interested in exploring references to early photography and its development/evolution into cinema, hence the use of the Eadweard Muybridge 'motion study' photographic sequences as 'moving' pictures framed on the walls of the set.
'A room with askew' 5:20 mins. 16mm. 2006.. all production credits by gregory godhard.
Saturday, November 04, 2006
Lovesong camera/light/panel set up (part 2)
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